ÿþ<HTML><HEAD><TITLE>SUNDAR&#298</TITLE> <style type="text/css"> .BODY { background-color: #EAF1F7; background-image: url('images/gtbh.jpg'); background-repeat: no-repeat; background-attachment: fixed; background-position: center; color: #0066CC;} .C1{text-align: justify;color: #0066CC;FONT-size: SMALL;FONT-family: Tahoma;} .BIB{text-align: center;color: #000099;FONT-size: SMALL;FONT-family: Tahoma;} .CONT{text-align: right;color: #FF0000;FONT-size: SMALL;FONT-family: Tahoma;} </style><META http-equiv="content-type" content="text/html; charset=UTF-8"></HEAD> <BODY class="BODY" oncontextmenu="return false" ondragstart="return false" onselectstart="return false"> <FONT ALIGN="JUSTIFY" FACE="Tahoma"> <p class="C1">&#65279<i>SUNDAR&#298</i>, by Bh&#257&#299 V&#299r Si&#7749gh first published in 1898, is commonly acknowledged to be the first novel written in the Punjabi language. The story, set in the eighteenth century, depicts the trials and heroism of an imaginary character, Sundar Kaur (Sundar&#299 for short) who, born in a Punjabi Khatr&#299 Hindu family, embraces the Sikh faith in unusual circumstances and spends her short, eventful life in prayer and service of the crusading <u>Kh</u>&#257ls&#257.</p> <p class="C1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Sundar&#299's tribulations begin with her catching the local Mu<u>gh</u>al chief's attention as the latter, out hunting with a body of retainers one day, passes through her village. She is seized and carried off. All entreaties for her release are unavailing. Just then, her elder brother, Balvant Si&#7749gh, who had embraced the Sikh faith and joined a Sikh guerrilla band against the parents' wishes some years earlier, visits the village and comes to know of the family's misfortune. He follows the chief's party, finds Sundar&#299 reciting the <i>Japu (j&#299)</i>, the Sikh morning prayer, sitting on a pyre, just lit, snatches her off and gallops away with her. Sundar&#299, who had imbibed the Sikh spirit of defiance from the accounts of Sikh valour which she had heard from her mother and nursed secretly esteem for the Sikhs' ways after her brother had joined them, had sent the chief and his men away by a stratagem, to be able to burn herself alive.</p> <p class="C1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;The family refusing to take Sundar&#299 back for fear the chief should vent his ire upon them, Balvant Si&#7749gh decides to take her to his band's forest hideout. The two are, however, captured by the chief's men while attempting to rescue a wounded Sikh. Intent on inducing Sundar&#299 to marry him willingly, the chief decides to spare her brother's life, convert him to Islam somehow, and then to seek reconciliation with him. A month later, Sundar&#299 and Balvant Si&#7749gh are brought to a mosque in the chief's principality, on a Friday, for forcible conversion, but are rescued by a lightning raid on the town by Balvant Si&#7749gh's chief, Sard&#257r Sh&#257m Si&#7749gh.</p> <p class="C1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Amidst her brother's guerrilla companions at last Sundar&#299 joins the <u>Kh</u>&#257ls&#257 brotherhood through the rites of initiation and decides to lead a life of celibacy in the service of the Sikh <i>jath&#257</i>. She now looks after its kitchen and tends the wounded, occasionally venturing out to the village on the fringe of the forest to buy provisions. During one such sally, she comes upon a grief-stricken Khatr&#299, whose wife had been seized by the Mu<u>gh</u>al officials of his hometown, and takes him to the hideout. After checking on his credentials, Sard&#257r Sh&#257m Si&#7749gh's men mount a rescue operation, and redeem the Khatr&#299's wife and confiscated property. Upon the Hindu priest's refusal to accept the Khatr&#299's wife back into the Hindu fold, the couple embrace Sikhism and are christened Dharam Si&#7749gh and Dharam Kaur.</p> <p class="C1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;During a later sally to the village, Sundar&#299 and Dharam Kaur come upon a badly wounded Mu<u>gh</u>al soldier. They give him first aid and bring him blindfolded to their hideout for treatment. After the Mu<u>gh</u>al regains health, he is taken blindfolded to the village and released. This Mu<u>gh</u>al is a retainer of the chief who had taken a fancy to Sundar&#299 and recognizes her. He lays a trap for Sundar&#299 a few days later. She is captured and carried off tied hand and foot in a palanquin.</p> <p class="C1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Bijl&#257 Si&#7749gh, the ace Sikh spy, disguised as a wandering S&#363f&#299 faq&#299r tracks the Mu<u>gh</u>al party and helps Sundar&#299 attack her captor and flee. She is again captured by the chief, who is out duck-shooting, but is providentially rescued by her brother, and soon joins the guerrilla company which is marching towards the foothills to join the main body of the <u>Kh</u>&#257ls&#257.</p> <p class="C1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;As Ahmad Sh&#257h Durr&#257n&#299 comes out in April 1752 on his third invasion, thirty thousand Sikhs, including Sundar&#299's band fight for M&#299r Mann&#363, the Governor of Lahore. Sundar&#299, whose injured pony ambles back slowly as Mann&#363's forces disperse, is left far behind Dharam Si&#7749gh and his wife. Spotting a wounded Mu<u>gh</u>al soldier, she dismounts to help him. Restored to consciousness and discovering her identity, the Mu<u>gh</u>al inflicts a severe wound on Sundar&#299 and she falls down unconscious, but not before inflicting a fatal wound on the assailant.</p> <p class="C1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;She is spotted and picked up by the same old chief who also had participated in the battle. Under the diligent care of the chief's physician, Sundar&#299's wound heals, though her fever continues. The chief, who wants her to marry him willingly, engages a Hindu maid, R&#257dh&#257, for her and removes her, on the suggestion of the physician, to an open spot on the bank of the river. Both R&#257dh&#257 (who is in reality Dharam Kaur in disguise) and the physician have been planted by the Sikhs to secure Sundar&#299's removal to a place from where she could be easily rescued.</p> <p class="C1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Sundar&#299 is rescued and joins her brethren in their old hideout. But her health deteriorates. Realizing that her end is near, Sundar&#299 gets an unbroken recitation of the Gur&#363 Granth S&#257hib arranged. On the service following the conclusion of the recitation coming to a close, Sundar&#299, in a valedictory address to the assembly, exhorts them to maintain their high moral standards, hold women in high regard and never to stray from their faith in one God into superstition in search of transitory worldly joys. She then makes obeisance to the Gur&#363 Granth S&#257hib and does not raise her head again. Her death plunges the entire Sikh people into gloom.</p> <p class="C1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>Sundar&#299</i> is both a social and literary phenomenon. The prime motivation behind its writing was avowedly reformist. It was the product of the late nineteenth-century Sikh fears and aspirations-fears that Sikhism might die out if corruption and decadence which had, overtaken Sikh church and society were not remedied; and aspirations that Sikhism should take the place of pride to which it was entitled by reason of the excellence of its doctrine and the virility of its tradition. This novel, according to its author, who was one of the principal protagonists of the reform movement, was a small attempt to rebuild "the crumbled Panthic edifice" by rousing the Sikhs to an awareness of the glory of their epic past through a graphic representation of their not too distant forebears' dedication, stamina, and spirit of self-sacrifice.</p> <p class="C1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;The representation turned out to be a historical romance of unusual power and beauty, notwithstanding several literary flaws. Bh&#257&#299 V&#299r Si&#7749gh's knowledge of the history of the times, which <i>Sundar&#299</i> depicts, is sure and intense; his imagination, sensitive and profound. His conception of the social conditions obtaining in those hard times is vivid. The result is that in <i>Sundar&#299</i> as in his other two historical romances, <i>Bijay Si&#7749gh</i> and <i>Satvant Kaur</i>, a dead age comes alive and this notwithstanding the fact that his characters are mostly ideal types and their conduct, very often, too lofty or too degraded to carry conviction. Major historical figures such as D&#299w&#257n Kau&#7771&#257 Mall, Sard&#257r Sh&#257m Si&#7749gh, Sard&#257r Jass&#257 Si&#7749gh, Lakhpat R&#257i and M&#299r Mann&#363 who figure in the tale tend it a keener sense of historical verisimilitude. Quite often history is presented through direct narration or through discussion among the characters. Such excursions into the history sometimes jar and appear to be irrelevant. But the story, on the whole, is deftly told in crisp and suggestive prose. The story makes liberal use of coincidence, but never illogical. On several occasions, the narration is interrupted by homilies and sermons. In spite of its technical short comings as a novel <i>Sundar&#299</i> has continued to sway the mass of Punjabi readers. No other Punjabi novel has been read more or influenced more lives.</p> </font> <p class="BIB"> BIBLIOGRAPHY<p class="C1"><ol class="C1"><li class="C1"> Harbans Singh, <i>Bhai Vir Si&#7749gh</i>. Delhi, 1972<BR> <li class="C1"> Talib, Gurbachan Singh, and Attar Singh, eds. <i>Bhai Vir Singh : Life, Time and Works</i>. Chandigarh, 1973<BR> <li class="C1"> Kohl&#299, Surindar Si&#7749gh, and Harn&#257m Si&#7749gh Sh&#257n, eds., <i>Bh&#257&#299 V&#299r Si&#7749gh, J&#299van, Sam&#257&#7749 te Rachn&#257</i>. Chandigarh, 1973<BR> </ol><p class="CONT">Kulr&#257j Si&#7749gh<br></p><BR> </font><img src="counter.aspx" width="1px" height="1px" alt=""></HTML></BODY>