ÿþ<HTML><HEAD><TITLE>AGAMPUR</TITLE> <style type="text/css"> .BODY { background-color: #EAF1F7; background-image: url('images/gtbh.jpg'); background-repeat: no-repeat; background-attachment: fixed; background-position: center; color: #0066CC;} .C1{text-align: justify;color: #0066CC;FONT-size: SMALL;FONT-family: Tahoma;} .BIB{text-align: center;color: #000099;FONT-size: SMALL;FONT-family: Tahoma;} .CONT{text-align: right;color: #FF0000;FONT-size: SMALL;FONT-family: Tahoma;} </style><META NAME="keywords" CONTENT="AGAMPUR"> <META http-equiv="content-type" content="text/html; charset=UTF-8"></HEAD> <BODY class="BODY" oncontextmenu="return false" ondragstart="return false" onselectstart="return false"> <FONT ALIGN="JUSTIFY" FACE="Tahoma"> <p class="C1">&#65279AGAMPUR or AGAMPUR&#256, lit. city unapproachable or inaccessible (Skt. <i>agamya</i> plus <i>pur</i> or <i>pur&#257</i>). The word appears in one of the hymns of Gur&#363 N&#257nak in &#256s&#257 measure where it is used to signify God's abode or the ultimate state or stage of spiritual enlightenment and bliss. Another term used synonymously in the same hymn is <i>nijaghar</i>, lit. one's own real home signifying the ultimate sphere of <i>j&#299v&#257tm&#257</i>. The relevant stanza first raises the question :"Tell me how the city unapproachable is reached, " followed by the answer, "By discarding such measures as <i>japu</i> (mechanical repetition of God's name), <i>tapu</i> (bodily mortification) and <i>ha&#7789h nigrahi</i> (forced control of the senses). " Realizing the Gur&#363's Word in practice is prescribed as the right path to <i>agampur</i> (GG, 436).</p> </font> <p class="BIB"> BIBLIOGRAPHY<p class="C1"><ol class="C1"><i>Shabd&#257rth Sr&#299 Gur&#363 Granth S&#257hib J&#299</i>, Amritsar, 1959<BR> </ol><p class="CONT">Major Gurmukh Si&#7749gh (Retd.)<br></p><BR> </font> <img src="counter.aspx" width="1px" height="1px" alt=""> </HTML></BODY>